In classical music, such kind of music as free improvisation came out fist in the works of Pierre Boulez, Henry Cowell, Morton Feldman, and they not only allowed, but required musicians to improvise. Another crucial point in the times past of free improvisation in Europe is the development of Musica Electronica Viva in Rome in 1966. It cannot be called a single brand; as an alternative is it a group based on experimental jazz and free improvisation. In 1970s, there existed three separate bands that went after the name – in Paris, New York, and Rome.
Many musicians consider free improvisation is to be the development of jazz, the first live recordings are the two songs played in 1949 by pianist Lennie Tristano. Shelly Manne followed a similar model and made a recording of a song “Abstract #1” in 1954. The transitional era of free improvisation came into view in 1950s - 1960s that fundamentally improvised from the choral idiom of symphony. Jimmy Giuffre's trio continued the tendency, they have created Free Fall taping which was really different from the classical styles of jazz.
The idea of performances was that they were made simply with no composition of a separate pre-defined theme. Another organization, the Spontaneous Music Ensemble, appeared in 1960s. It began as jazz, but steadily pushed the music to the open domain. The boundary between jazz and free improvisation almost absolutely disappeared with the formation of the association for creative musicians in Chicago in 1965. The earliest Elektra recordings of free improvisation in Europe were originated in 1966 by the British group that included five talented musicians.
This article is free for republishing
Source: http://www.articlealley.com/article_174135_81.html
Source: http://www.articlealley.com/article_174135_81.html